Short song walking on the sand was born when Cao Ba Quat entered the festival in the imperial city of Hue. It takes the image of white sandy beaches running along the central provinces to talk about disappointment in the ideals that I have pursued for so long.
Cao Bat Quat himself is Chu Than, alias Cuc Duong, Man Hien, from Phu Thi village, Gia Lam district, Bac Ninh province (now in Long Bien district, Hanoi). As a famous person who studied well, had a talent for poetry and wrote beautiful Chinese characters, Cao Ba Quat was honored by the world as a saint (Than Sieu, Saint Quat). His mettle, bravery and great ambition went beyond the narrow framework of feudalism.
Cao Bat Quat lived in the first half of the 19th century, when the Nguyen dynasty destroyed Tay Son, established a draconian feudal government, collected high taxes, and did not respect the Bac Ha intelligentsia. This was a period with many peasant uprisings, including the uprising in Son Tay in which Cao Ba Quat participated. His poetry expresses a strong criticism of the stagnant, conservative feudal system and reflects the need for renewal of Vietnamese society in the face of the risk of being invaded by Western colonial forces. Some people think that the image of the character Huan Cao in the short story The word death prisoner of Nguyen Tuan is the shadow of Cao Ba Quat.
Short song walking on the sand It was composed after Cao Ba Quat’s visits to Hue capital to compete. The image of white sandy beaches running along the central provinces makes the author think and imagine the obnoxious path of fame and gain that he was forced to pursue, as well as the suffocation and deadlock of contemporary society. Another assumption is that the poem was born when Cao Ba Quat, who was a mandarin for the Nguyen court, began to feel disappointed in the ideal he had pursued for so long and silently searched for another, more correct ideal. .
The content of the poem reflects the bondage, no way out of the intelligentsia during the crisis period of the feudal system. At the same time, it shows the indignation at the current social situation, the disdain for fame and gain, and the desire of true scholars to live a truly meaningful life.
The kanji transcription of the poem is as follows:
School of Sacrifice Trường Sa,
Most of the most rebuffed.
Japan entered the behavior of the past,
The dead customer is in contact.
The uneducated military ancestor of his art,
Post painted cards with resentment and resentment!
The ancients of the benefactor,
Bouncing the middle of the road. Feng tian yuu whore beautician,
Static fakes usually minimize the type of nhái giả Dong.
Truong sa, school sa complaint good ha?
Unveiling carries the name of showing off.
The best listener sings and pours the song,
Bac Son Chi Bac Son Van Diep,
Nam Son Chi Nam three thousand levels,
Military Tiger Vi Ho Sa Supreme?
Vietnamese poetry translation:
The sandy beach is the long sandy beach,
Taking a step is like taking a step back.
The sun has set, has not stopped,
Travelers on the road shed tears.
Unable to learn the fairy godfather’s permission to sleep,
Climb the mountain, wade the stream, get angry!
In the past, the famous ward,
All on the road of life.
The wind is slightly yeasty in the tavern,
Drunk people are innumerable, awake how many people?
Long sandy beach, long sandy beach!
How about this? The road is blurred,
Scary roads are many, where are few?
Hear me sing “the end”,
North of the North Mountain, the mountain of all the same,
South of the South Mountain, the waves are strong
Why are you standing on the sand?
The theme of the poem is expressed by the author through three images: a long sandy beach, a path walking on the sand and people walking on the sand.
The poem paints before the reader’s eyes the image of a vast long sandy beach with no end, suggesting an endless and obscure path: Sand beach is long sand beach;… Long sand beach, long sandy beach. The image of a long sandy beach has a unique artistic meaning because it is creative, not borrowed from Chinese literature like many other poetic images, but taken from the reality of the wild, creepy white sand dunes that are unspoilt. The author has passed many times on the way to the test experience. The central strip of land, especially the two provinces of Quang Binh and Quang Tri, is very narrow in width, the West is the Truong Son range, the East is the sea. Only the sand, mountains, and waves can be seen before the eyes of the traveler.
Along with the image of the long sandy beach is the image of the roads: The road is blurred, the road is terrible, the road is dead. Two verses: North of the North mountain, the mountain of many overlaps, To the south of the South mountain, the waves are both real images and symbolic meanings for the arduous and challenging life path.
The author feels that the road crossing the long sandy beach has similarities with the hard road of honors and honors, many failures, few successes, but missed entering so I don’t know how to calculate this?
Cao Ba Quat himself had experienced enough of the bitterness of the exam. Taking the exam from the age of 13 (1822), until the fourth time (1831) to pass the bachelor’s degree, he was beaten down to the bottom of the table. After that, he failed three more times for the Association exam and still did not pass. As soon as he stepped on the path of fame and profit associated with the ideals of the Confucian class in the feudal society, the poet noticed the impasse and the unresolved contradictions. Should I continue or stop? It is also impossible to stop. And do not know where it will lead to continue?
The image of a person walking on a long sandy beach is small and hard;
Taking a step is like taking a step back.
The sun has set, has not stopped,
Travelers on the water lost fall.
There are many types of pedestrians, each with a different mood. Countless people are drunk because of the yeast in the tavern wafting from the wind. Does the fragrant yeast represent the attraction, the formidable lure of fame?! Before that magic power, can you still keep your sanity and clarity?!
Unable to learn the spell of sleep,
Climb the mountain, wade the stream, get angry!
In the past, the famous ward,
All on the road of life.
The wind is slightly yeasty in the tavern,
Drunk people grab numbers, static how many people?
The poem is imbued with feelings of self-loathing. The poet is depressed because he realizes that he has tortured his body by pursuing fame. Why do I know that the path to fame is arduous, obscure, and the end, but I still have to try step by step, step by step to commit, but the more I go, the more backward I feel. According to the legend of the fairy’s “sleep spell” in the book Deities of the decade When Xiahou An was climbing mountains or wading in water, she still closed her eyes and fell asleep. The person next to him heard the snoring, but he still walked without slipping. That’s why people called him a sleeping fairy. Cao Bat Quat wishes to have the permission to sleep like his fairy, to live without seeing or hearing anything in life.
The following verses partly explain why people have to climb mountains and wade streams. That is due to the temptation of the name plate. Those who are greedy for fame and gain have always been running back and forth, just as people in the world see a good pub where they rush to come, few are sober to escape the temptation of alcohol. Fame is also a kind of wine that fascinates people. Cao Bat Quat showed his disdain for the famed and profitable wards who were intoxicated with the rich and rich, and he began to feel that it would be pointless to continue on that path. The verses contain a troubled mood, wondering: should I continue or give up? And the answer is not easy. The poet realizes the meaninglessness of the path of fame and honor in the real situation, but if he continues, how will he go?
The person walking on the long sandy beach suddenly stopped. Boredom, despair fills the soul because: The road is clear, The road of fear is more, where is it less? Perhaps the end has come? If not, where do you go?! The mood of stagnation and despair covered everyone, the long sandy beach. So frustrated, the passerby could only sing a sad song about his dead end:
Hear me sing “the end”,
To the north of the North Mountain, the mountain of all the same,
South of the South Mountain, the waves are strong
Why are you standing on the sand?
The author’s mood when walking on the long sandy beach is to be aware of the arduous road of fame and gain, needing to get out of that sand of life but can’t find another way. The person walking on the long sandy beach sees the meaninglessness of his actions and is extremely bored: Long sandy beach, long sand beach. Why wake up, the road is blurry… and wonder: Why are you standing on the sand that is a feeling of helplessness, despair, having to stand on the sand, suffering a great contradiction that weighs heavily on your heart soul. The image of that traveler is lonely, both determined and desperate on the arduous and obscure search for truth. The character’s complex mood predicts a breakthrough, a silent resistance to the prevailing order. Cao Ba Quat’s progressive thought shows that he clearly recognized the meaningless nature of academic study and the old way of progressing.
In the poem, the author has put himself in many different positions to express his mood and dialogue with himself. Cao Bat Quat uses many different pronouns, Sometimes he uses the word guest (guest is a noun opposite to the host), sometimes he uses the word quan (he, he – second person pronouns No. few), in some places the word self is used (I, ta – first person singular pronouns). However, it is all for the author’s self. When called a guest, the poet looks at himself as if he were looking at another person. When calling him brother, the poet seems to be conversing with himself. When confessing, the author wants to directly confess his feelings. The above ways of addressing all show the poet’s anxious and pressing attitude on the way to creating fame and career.
So the image of a person walking on a long sandy beach is shown by the author not only, but in many dimensions. Sometimes described as an object, sometimes as an interlocutor, sometimes as a self-representing subject. Sometimes the author even hides the subject. The purpose is to express different moods and attitudes in different situations.
Content Short song walking on the sand partly explains the reason why Cao Ba Quat sided with the peasants to revolt against the feudal court of the Nguyen Dynasty.
First of all, the poem shows the author’s distaste for fame and gain and the author’s correct perception of the stalemate of the old-fashioned academic study. The author’s mood swings from wonder, confusion to severe wonder: What are you doing standing on the sand.
The poem is the sincere confession of a scholar of great thought, very well aware of the stagnation and deadlock of the times. This is also the author’s feeling of disappointment before the ideal that he worships. The stalemate and despair before the end have been pushed to the climax.
Cao Bat Quat has artistically expressed the profound contradictions in his own thoughts and that of contemporary society. It is the contradiction between the desire to live a noble life with the dark reality; between a man’s self-sacrificing spirit of a true scholar and a man’s habit of enjoying peace and happiness between a man’s ideal of pro-king and helping the country with difficulties and hardships that are difficult to overcome on the road to advancement.
The song also expresses Cao Ba Quat’s feelings of indignation and sharp feelings about a dark and adversarial era for talented intellectuals; at the same time marks the awakening of some scholars before the traditional path of fame. Perhaps that has given us a thought and remark: the contemporary feudal society could not tolerate Cao Ba Quat’s ideals. That person definitely refuses to stand on the sand but is cooking a silent but fierce protest against the current order. Cao Bat Quat realized that it was necessary to do something bigger and more useful for life. That was also the reason that led him to the peasant uprising, chose the path of resistance against the Nguyen dynasty, and then suffered a tragic end.
The poem is written in a pragmatic style, quite liberal in structure, rhyme and rhythm. Verses of different lengths and short (5-word sentences, 7-word sentences, 8-word sentences), the rhythm of each verse are also diverse, suitable for reflecting the complicated and troubled mood of the person walking on the sand. long (beat 2/3: Truong Sa / Truong Sa; beat 3/5: Uneducated Quan / Fairy America Thuy Ong, beat 4/3: Phong Tien Nuu Dien / Huu Meu). Many sentences have exclamatory intonation: (Dang Son card, Thuy resent Ha chi), question intonation (Truong sa, Truong sa dien cu Ha? Quan ho vi ho sa Thuong Lap?).
The rhythm of The Short Song on the Sand is the bumpy, turbulent rhythm of the hard steps on the long sandy beach, on the arduous, arduous and boring road to fame and honor. In particular, the last verse is a nagging and haunting question. The lyrics have a melancholy sound, implicitly containing the author’s resistance to the current social order and warning of inevitable changes in the future.
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