Karol Szymanowski net worth-Polish composer and pianist, Karol Szymanowski was born on October 3, 1882, in Tymoszówka, Russian Empire.
How much was Karol Szymanowski worth?
As of the time of filing this report, Karol Szymanowski’s net worth has not been specified on the Internet. However, he was believed to be worth from about $500,000 to $2 million.
Karol Szymanowski salary
Karol Szymanowski’s salary is not known to us at the moment of filing this report. He was believed to have made his income from his performances and music compositions.
Karol Szymanowski assets
As of the time of filing this report, Karol Szymanowski’s properties are not available to us. He left a great legacy in the music fraternity, paving the way for a lot of musicians and instrumentalists in the present day.
Karol Szymanowski career
Szymanowski established the Young Polish Composers’ Publishing Company (1905–12) in Berlin, with the main objective of disseminat ing new works by his fellow Poles.
The song cycles The Love Songs of Hafiz and the opera Hagith, which bridge his first and second stylistic eras, were both written while he was living in Vienna from 1911 to 1914.
Szymanowski, who was disabled in one knee and was unable to serve in the military during World War I, wrote a number of works between 1914 and 1917 while also devoting his time to learning about Islamic culture, classical Greek play, and philosophy.
His works from this time, including Mity (1914; “Myths”), Metopy (1915; “Métopes,” and Maski (1916; “Masques”), are notable for their high levels of creativity and variety of style.
Szymanowski’s music became less dynamically extreme, and the composer began to use coloristic orchestration, polytonal, and atonal material while maintaining the expressive melodic character of his earlier pieces.
Szymanowski finished writing the two-volume novel Efebos in 1918. Its focus was homosexuality. His trips, particularly those to the Mediterranean region, gave him fresh artistic and personal experiences.
One critic stated this about the musical and literary creations he produced or first conceived of between 1917 and 1921, such as Król Roger (King Roger): “We have a body of work representing a dazzling personal synthesis of cultural references, crossing the boundaries of nation, race, and gender to form an affirmative belief in an international society of the future based on the artistic freedom granted by Eros.” In 1919, Szymanowski relocated to Warsaw.
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Source: thpttranhungdao.edu.vn/en/
